Pigment Friendly Gloss 270 is a flat, stiff, middle-weight paper with a high gloss finish.  The paper has a bright white base and an instant dry, micro-porous, coating.
Pigment Friendly Gloss’ wide colour gamut and high D-MAX delivers beautiful images, both in colour and B&W.
Compatible with both dye and pigment inks. 

PF Lustre 275 is a flat, stiff, middle-weight paper with a lustre finish.  The paper has a bright white base and an instant dry, micro-porous, coating.  This multi award-winning paper’s wide colour gamut and high D-MAX delivers beautiful images, both in colour and B&W. Compatible with both dye and pigment inks.

PF Lustre 275 is the corner stone of the Fotospeed Photo Quality range and should be the go to paper for any photographer. PF Lustre 275 is the perfect combination of quality and price and as a result has therefore been recognised by photographers the world over.

Over the last two years Fotospeed have worked on creating the perfect Smooth Pearl Digital paper. This paper has become a market leader and is the reliable go to paper for photographers the world over.

Matt Ultra 240 is a smooth, bright white, middleweight, all-purpose paper with a matt finish.  This cost-effective paper is ideal for running proofs or printing final images.  Matt Ultra’s wide colour gamut reliably delivers beautiful images every time.

Matt Ultra 240 in one of the most cost-effective papers we have on the market. Originally launched in 2001 it quickly became a firm favourite. Is was designed for photographers to do secondary proofing and contact sheets but they quickly realised the quality was there to print final images. A paper well worth exploring.

Metallic Gloss 275 is a flat, stiff, middle-weight paper with a metallic effect gloss finish. The paper has a neutral white base and an instant dry, microporous coating. This paper has a wide colour gamut and a high D-MAX which delivers beautiful images, both in colour and B&W.

Fotospeed launched Metallic Gloss in March 2015, to meet a growing demand from our customers. Its unique finish has given photographers and artists a point of difference from their normal Gloss and Lustre inkjet papers. Metallic Gloss was launched alongside a Lustre version.

This glossy fine art paper offers a wide tonal range and deep blacks, while the distinctive fibrous texture brings out a photograph’s finer details, meaning it lends itself particularly well to black and white shots or shots with very vibrant colours. Platinum Gloss Art Fibre 300 is water resistant, instant dry, and compatible with both dye and pigment inks.

Platinum Matt 280 is 100% acid free, fine art paper. A natural white base and state of the art ink-receiving layer, delivers a high D-MAX and wide colour gamut. When used in conjunction with pigment inks, the paper will ensure a print life of more than 85 years.

Natural Soft Textured Bright White 315 is 100% cotton, fine art paper with a very gentle texture. The paper’s bright white base and gentle texture lends itself towards landscape and portrait subjects and delivers a high D-MAX and wide colour gamut. The paper is approved by the Fine Art Trade Guild and when used in conjunction with pigment inks will ensure a print life of more than 85 years.

Fotospeed Smooth Cotton 300 is 100% cotton, pH neutral, fine art paper with an ultra-smooth surface. The paper's white base and state of the art coating delivers the highest level of ink load of all the Fotospeed range.

Smooth Cotton 300 is therefore ideal for high saturation images. When used in conjunction with pigment inks, the paper will ensure a print life of more than 85 years.

Joe Cornish said of Smooth Cotton 300 Signature: "I aim to crystallise the endlessly varied light, colours and texture of nature in my landscape photographs. At the end of a chain of photographic processes, the print is the culmination and fulfilment of that effort and the paper is critical to the success of the print. Fotospeed's Smooth Cotton 300 is my paper of choice."

High White Smooth 315 is 100% cotton and pH neutral, fine art paper with a smooth surface.  A white base and state of the art ink-receiving layer, delivers a high D-MAX and wide colour gamut.  This paper is highly recommended for Gicleé printing.  The paper is approved by the Fine Art Trade Guild and when used in conjunction with pigment inks will ensure a print life of more than 85 years. 

High White Smooth was where it all began and has been a firm favourite of photographers and artists the world over ever since. Its 100% cotton base not only gives it its archival qualities but also a sense of unrivalled quality when you hold it in your hands.

Platinum Etching 285 is 100% acid free, fine art paper with a velvety, textured surface.  A natural white base and state of the art ink-receiving layer, delivers a high D-MAX and wide colour gamut.  Platinum Etching is 25% cotton and 75% alpha-cellulose.  When used in conjunction with pigment inks, the paper will ensure a print life of more than 85 years.

Charlie Waite said of Platinum Etching: "Landscape photography is about discovery.  I believe that photographers can only fully relish the rewards of their efforts when the image is seen in the form of a print. The paper used for that print must be as carefully considered as the image made. Paper technology changes with time and ongoing advances mean that photographers need to look regularly at their paper choice, rather than automatically playing safe with an old favourite. Discovering Platinum Etching 285 has been a revelation to me and has proved a vital tool in my ongoing quest to match pre-visualisation with end result.